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Sonata in C# minor for Flute and Piano, Op. 64

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  • Highly recommended
  • Interesting, worth a look
  • Recommended edition
Pan - Journal of the British Flute Society

Pan - Journal of the British Flute Society

This review first appeared in Pan, the journal of the British Flute Society and is reproduced with permission. Join the BFS: membership starts from £25 a year.

Mel Bonis's Sonata is becoming an increasingly established part of the flute's repertoire, and this new urtext edition is a welcome publication. First performed by Louis Fleury and the composer herself, who was an excellent pianist, at the Salle Pleyel in Paris in 1905, this is a useful addition to the Romantic flute repertoire.

As the preface states, the manuscript of the work was lost, and the first edition, printed in 1904, had several errors, including discrepancies between the flute part and the score. This edition aims to correct these errors, consolidating the information to create greater consistency throughout. The score is edited by Wilfried Lingenberg, and detailed critical notes are provided to allow players to understand why specific decisions have been made.

The edition is well presented, with practical page turns in the flute part, and printed on cream paper. It is useful to now have a choice of editions available, if nothing else to be able to compare the approaches of different editors, and the improved accuracy from the first edition is welcome.

Bonis' Sonata is a relatively substantial work with 4 movements and is full of warmth and expression. The choice of C# minor for the tonic key is perhaps unusual for flute repertoire of the time and presents some technical challenges (not least the evenness of tone and intonation in the middle register). The opening Andantino has a strong sense of dialogue with the piano and the flute's phrases are often short and highly expressive. This is followed by a dazzling scherzo, with playful interactions and an appealing sense of lightness. The mood changes for the Adagio, with its wistful and almost nostalgic opening giving way to a greater sense of turbulence. The Finale brings together themes from earlier in the work to bring the work to a dramatic close.

This Sonata is appearing more and more frequently in recital programmes and deserves its place in the mainstream repertoire. This new urtext edition is a good step forward in its dissemination and well worth exploring.

Carla Rees

From the Publisher

The Sonata for Flute and Piano in C-sharp minor, Op. 64, by Mélanie Bonis was composed in 1904. Over the course of the 20th century, the Sonata gained recognition and is now considered a staple of the flute repertoire. However, the composer, who often published under the pseudonym “Mel Bonis”, remains relatively unknown outside France. She studied piano under César Franck alongside Claude Debussy and composition under Ernest Guiraud at the Paris Conservatoire. This Urtext edition seeks to bring greater international attention to the work of this remarkable composer. Presented as a practical edition, it includes a critical commentary from Dr. Wilfried Lingenberg in German, English and French, flute part and piano accompaniment. The piece is 18 minutes long and suitable for intermediate to advanced flautists.

Difficulty guide: 8
Difficulty level, roughly compared to ABRSM exam grades. 0 is total beginner, 9 is advanced (beyond grade 8).

Item Details

Our Stock Code: 1696196

Instrumentation

  • Part 1: Flute
  • Part 2: Piano

Category: 20th Century Flute and Piano Music
Publisher: Edition Peters
Publisher's reference: EP20013
Media Type: Paperback (35 pages [score])
Country of Origin: Germany
HS Code: 49040000