Pre-Owned Rudall Carte Cocus Wood Piccolo
- Workshop Approved
Buy second hand with confidence
All our pre-owned, ex-demo and ex-display instruments are checked, set up or serviced in our workshop prior to sale*.
*Unless specifically stated otherwise.
- Purchase price: £795.00
- Deposit: £79.50
- Amount of credit: £715.50
- 12 monthly payments of: £65.70
- Total repayable: £867.84
- Duration of agreement: 12 months
- Rate of interest (fixed): 19.9%
- Representative APR: 19.9%
UK residents only, age restrictions apply. Credit is provided subject to status. Credit is provided by external finance companies as determined by Just Flutes.
This piccolo is stamped as follows:
Headjoint: Rudall carte & Co Ltd, London
Body: Rudall Carte & Co Ltd, 23 Berners Street, Oxford Street, London
This piccolo is in good condition for its age. The piccolo is being sold as seen having had some binding removed from the D# key in our repair workshop. It is in good playing order. There is a split to the wood visible on the headjoint which measures about 5cm long; it is not a wide crack and it has not gone through the wood completely. the silver keywork has tarnished a fair amount but this cleans up
About Rudall, Carte & Co
The British company Rudall Carte was among the most famous and well-regarded names in the music industry of the 19th and 20th centuries. Founded as Rudall & Rose in 1822, Richard Carte (father of Richard D'Oyly Carte, of later Gilbert and Sullivan fame) joined the firm around 1850, and the company of Rudall, Rose, Carte & Co then became Rudall, Carte and Company in 1874.
Up until its acquition by Boosey & Hawkes in 1955, Rudall Carte were producing high-quality flutes in a range of materials - primarily cocus wood, but also silver, ebonite and gold - at varying price points. In addition, many famous names in flute history honed their trade at Rudall Carte, including Albert Cooper, Ewen McDougall and Harry Seeley (the last two of whom, along with five other Carte workers, went on to set up Flutemakers Guild).
Rudall Carte cocus wood flutes in particular are rightly still held in high esteem today: beautifully engineered and well ahead of their time, a restored, well cared-for Rudall Carte can be a pleasure to play. Many players like to match a modern British headjoint (such as Robert Bigio or Peter Worrell) to get the most out of these instruments, although there are some notable players who find the warmth and charm of the original headjoint preferable.
Rudall Carte today are known primarily only in the flute world, yet they were hugely successful and highly influential: as well as selling other instruments, the firm published books and music, and were also concert promoters. We highly recommend Robert Bigio's excellent book Rudall, Rose & Carte: The Art of the Flute in Britain for a greater insight into this historic company's production and legacy.
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