Author Archives: Pasha Mansurov

About Pasha Mansurov

Pasha (Pavel) Mansurov was born in Russia in 1986. He started the flute at the age of 6 with Professor Kornejev at the Moscow Gnesin School of Music. At 12, following a successful audition, he moved to the United States of America where Dr. Bradley Garner of Juilliard School taught him for the majority of his early teenage years. Then a friendly invitation to study at the Purcell School of Music with full scholarship relocated him to London in 1999. There he studied with Clare Southworth. In 2004 another successful audition led him to The Royal Academy of Music, where he studied with Kate Hill and Michael Cox on Flute and Pat Morris on Piccolo. He graduated from RAM with the third highest mark in the woodwind class. For his Masters in 2008 he moved to the Guildhall School of Music Drama, where he studied with Ian Clarke, Phillippa Davies and Sarah Newbold. He also participated in masterclasses and had private lessons with William Bennett, Robert Winn, Emily Beynon, Gareth Davies, Paul-Edmund Davis and Andrew Nicholson to mention a few! Pasha plays frequently with The Orion Symphony Orchestra, which appears frequently at the Royal Festival Hall and Cadogan Hall, and also with London Contemporary Orchestra. With the latter he played in the Frank Zappa festival at the Roundhouse in Camden, London and has even been on tour with a pop/rock band Belle and Sebastian.

Alternative Crowns & Stoppers: A Resounding Leap Forward?

Recently there has been some debate over whether the cork assembly inside the headjoint makes a difference to the way the flute plays and feels. Many headjoint makers and flute enthusiasts have been experimenting with different materials and set-ups, and several alternatives are already available through specialist shops. In this article I want to demystify this subject and find out whether there really is truth to it. Continue reading

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Don’t Let A Metal Allergy Stop You Playing Flute

Over recent years in Jonathan Myall Music, we have come across more and more flute players who suffer a silver allergy – and I’m one of them. I have several allergies: silver, dust, cats, (sharp flute playing!), and have found that I can not do anything about them other than to find a way not to be exposed to the causes. However, a silver allergy really isn’t helped by playing a silver flute! If you are like me, and need help with finding an answer to this miserable problem, read on! Continue reading

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Assessing Your Practice through Recording

Sometimes the best teacher you ever have will be yourself. Yes, it’s true! Many of us are used to listening to recording of ‘the greats’ performing the pieces that we are learning, and we know how they sound through our headphones, stereo or computer speakers. Why not listen to yourself like that too? By doing so, you have the opportunity to find out what it that ‘the greats’ have that you don’t (or even vice versa!). Continue reading

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