This article was first written in February 2011, and has been updated in July 2015.
Buying your first flute can be daunting: there are so many different makes, models and types of flutes available, and the variations in price can be hundreds of pounds. Below, we’ve compiled our top tips to help a complete newcomer decide on a new flute.
1. Do plenty of research on the different brands available
The ABRSM Viva Woodwind forum has a lot of helpful information from players and teachers, detailing some good and bad brands. If you already have a flute teacher lined up, they should also be able to offer their own advice on what to buy.
2. Be careful of flutes which look too cheap…
This is important. Some supermarkets, high street chains and online-only warehouses sell their own brand of flutes. In our experience, these flutes should be avoided: while the quality of Chinese flutes has undoubtedly improved since this article was originally written, there are still many poor-quality, cheap flutes around, and while the initial outlay is low, the running costs can quickly overtake the price of a good branded flute.
As well as the high running costs, cheap flutes are not as easy to play, and can be difficult even for an advanced player to make a decent sound on. We see so many players on the verge of giving up because they thought they were just no good at the flute – when in fact the problem was caused by a poor-quality instrument.
Our own-brand budget flutes may be priced a fraction higher than the cheapest high-street flutes – but they have been designed by flute players (us!) and will give a student a good start.
3. …But don’t buy something that’s not designed for a beginner
It should go without saying that flutes classified as ‘beginner flutes’ have been designed specifically for beginner players. A good quality beginner flute will be easy to play, light to hold, and should withstand the knocks that are almost fated to happen to it.
On the other hand, step-up flutes, professional flutes and so on, have been designed for players who can already play the flute to an extent. They’re not designed to be as easy to play, but they don’t need to be – they tend to be heavier, offer the fuller sound and increased projection that an advanced player needs.
4. Stick to ‘traditional’ specifications
There’s a whole raft of options available on flutes. Open holes, C# trill keys, E mechanism, B footjoint, D# roller, silver this or that.
In our opinion, a beginner player should start on a silver-plated flute with closed holes, E mechanism (sometimes called a Split E) and C footjoint. If you want to know what these terms mean, read our Jargon Buster, but basically a flute with these specifications will be (a) easier to play and (b) easier to re-sell at a higher value when the time arises.
5. Get the right size
Flutes don’t come in different ‘sizes’ as such, but you can get curved headjoints for a small beginner. This brings the keys of the flute closer to the body, reducing the stretch. If your child needs a curved headjoint, the truth is that it will cost more; but the problems if you don’t get a curved headjoint could far outweigh the price difference. Neck and back pain from over-stretching can arise, and players can easily get into the bad habit of poor posture. It can take many years to sort out a poor posture that wouldn’t have arisen with a curved headjoint.
6. A good brand will hold its value
Unlike many things in this modern world – cars, computers, phones etc – flutes can hold their value very well. Many major manufacturers have been making the same models for years, so you don’t need to worry about your flute being obsolete or superceded in six months’ time. In fact, because of ever-rising metal prices, some customers have been lucky enough to discover that a Yamaha 211 flute bought new a few years ago is now worth more second hand than they paid new!
7. Think ahead
Hopefully, you’re buying a flute with the intention of sticking at it and developing your ability and sound. Certain beginner flutes – notably the Pearl PF-505 and Yamaha YFL-211 – are upgradable by replacing the headjoint (the part that you blow in to). Putting a handmade silver headjoint on one of these is like loading it with rocket fuel – the improvement is immense, for a fraction of the price of an intermediate flute.
If you stick to this advice, you will have an instrument that will give you many years of reliable use and enjoyment, with that all-important room for development.